Sunday 6 May 2012

When exporting from Sketchup to Crysis i encountered serious difficulties. As can be seen is my image captures some of my surface textures would not upload to Crysis. I tried to resolve this but was unable to in time. Here is the link to my final model in Google warehouse where all details can be seen; http://sketchup.google.com/3dwarehouse/details?mid=308a8024b0e844611bce979d2b95bdaf&prevstart=0.
My Crysis level can also be found at; http://www.gamefront.com/files/21662302/z3375841_v02.cry 

Final Image Captures.

The architecture above illustrates the continuity of form through the aggregation of deliberately designed spaces.

The exterior meeting space is sparse and open. Its spacial design allows optimal lighting which creates a sense of fluidity withing the architecture.


From the sea we can see the building protrude towards us, its elongated form fluid through the landscape. The connection of geometric forms creating a series of spaces which emulate the ideologies of Hadid and Neutra. Simple geometrical progressions which create architectural forms are the base the architecture here.

Looking up at the looming structure we see the seeming weightlessness of the gargantuan building sitting in its natural environment.

Electroliquid aggregation of forms.

Carving of spaces and additive processes=modular.

Encapsulating spaces to create form.

Continuity through conjunction.

Textures.





Axonometrics; Week 1.






Tuesday 28 February 2012

Sunday 26 February 2012

Auditorio de Tenerife Pano, 2007, Spain. Santiago Calatrava.
This auditorium was Calatrava's firstmusic venue, designed to serve the city of Santa Cruz as a concert hall for opera and theatre. The abstract design reflects the site. Tenerife is located on the small Canary Islands whereby beachlife is as much culture as anything. Thus, the giant overhanging wave is ideally located to capture the spirit and culture of the city as an iconic landmark.

This image was captured in Barcelona last year. The looming structure supports a massive bank of solar panels. Atop a hill the structure seems to vanish toward the horizion, its irregular composition giving it a very non-intrusive feel and the surrounded areas a free flowing nature that allows for public thoroughfare.



Growth, Life, Rebirth.

This figurative sculpture aims to encapsulate a stage in the growth process of bulbs and other natural forms. As one of 4 sculptures this work illustrated the transient nature of the living form in my HSC major work. The transperancy and use of copper wire and gauze allowed for corrosion, all of these materal practices were intended to break the barriers between the artform and its environment, allowing for a meaningful installation which outlined the constant source of life which water provides, its very presence adapting the visual experience of the work.

Friday 24 February 2012



Louise Borgeois, The Blind Leading the Blind.

Climbing, Taught, Insect.